Saturday, 26 November 2016

information from "visual research" by Noble and Bestley extract

semiotics, deconstruction or communication 
research methods
visual matrices, typologies, visual overlays and what might be termed x-ray methods to reveal variations and changes in form and composition across sets of visual material

visual conparisons
review, comparison and analysis of the existing visual material within the area that the designer is planning to produce new work
For commercial design, that maybe focused on a review of existing products and for marketing common trends, styles and coventions

new design work will need to take account of such conversations, weather to maintain a sense of originality by avoiding common cliches 

Typology
Qualitative and quantitative analysis
Qualitative: reading of images and visual signs through semiotic analysis is a qualitative act in itself: although the responses can be evaluated statistically or numerically as a form of quantitative analysis, the initial data gathered is based on human reaction to the visual forms and experiments presented. 
Quantitative: analysis is based on mathematical principles, in particular statistical methods of surveying and interrogating data (counting, in other words). By generating a batch production of visual forms to test, the designer can place these objects in specific locations in order to compare the range of positive and negative responses from a target audience.

in research make mistakes, you can only figure out what works by determining what doesn’t work
“I have not failed. Ive just found 10,000 ways that won’t work” Thomas Edison 

the range of rhetorical termms utilised in graphic design:
Irony
Antithesis
metonymy 
pun
metaphor
personification 
hyperbole
parody 
pastiche

detournement

Wednesday, 16 November 2016

books

Below are the books that i looked/looking at to write my essay

·     Rodrigues, C. and Garratt, C. (2010) Introducing modernism: A graphic guide. London: Consortium Book Sales & Dist. Rodrigues, C. and Garratt, C. (2010) Introducing modernism: A graphic guide. London: Consortium Book Sales & Dist.
·      Gablik, S. (1985) Has modernism failed? 2nd edn. New York, NY: Thames and Hudson.
·      Williams, R. and Pinkney, T. (1989) The politics of modernism: Against the new conformists. New York: Verso Books.
·      Brooker, P. (ed.) (1992) Modernism/postmodernism. 5th edn. New York: Longman.
·      Kolocotroni, V., Goldman, J.A. and Taxidou, O. (eds.) (1998) Modernism: An anthology of sources and documents. Edinburgh: Edinburgh University Press.
·      Albrecht, D., Lupton, E. and Holt, S.S. (2000) Design culture now: National design triennial. London: Laurence King Publishing.

study task 5 research

TASK 1 
Crucial quotes found for studio brief 1 were all relevent to modernism as they talked about design aspects, key thinking and a basic summary of its relevence to graphic design today.


“the logo type is certainly Ikea’s most prominent nationalist marker. That it is yellow and blue, that is to say the same colours as the Swedish flag is, of course, no accident. Logo types are generally regarded as the single most important aspect of a brand’s visual identity. Or, as Milton Glaser so appositely put it: ‘The logo is the entry point to the brand.”  Design By Ikea, Page 62 - Published by Bloomsbury Publishing Plc

Louis Sullivan’s 1896 formulation of ‘law’ that ‘form ever follows function’ Sullivan, like loos, is talking about architecture but the applicability of the law to graphic design is clear.” (Graphic Design as communication) published by Routledge

“Advertising, particularly in the USA, transformed itself from a mere commercial accessory to a key industry in its own right. And not just an industry, but a medium for constructing and representing a world of desires, aspirations and surrogate identities. Very quickly, these “hidden persuaders” of mass consumerist society exploited all the strategies of modernism to create a new pop medium: filmic techniques of montage, avant-garde design, manifesto one-liners, jazz tunes - but especially psychoanalysis.” Modernism a Graphic guide published by Icon Books Ltd, 2010

TASK 2 
When thinking about target audience for my work of which will largly be designers, or people interested in the art movemnt or learning about hte art movement i will have to consider that it will be seen by people of all ages, nationalitises and gender. A way of express ing the target audiences are demographic profiles. To make sure my work is suitable for everyone it is important that these profiles cover a wide range of details so everything can be considered.

Name: Matty Mitchell
Age: 24
Sex: Male
Occupation: Graphic Designer
Location: Manchester
Class: Lower
Personality: He is calm in nature and is always looking for new experiences in life. 
Interests: Arts and crafts, Graphic deign, typography, Video games, film buff and Star Trek Fan.  

Name: Angelica Randle
Age: 44
Sex: Female 
Occupation: Museum Curator
Location: London
Class: Middle
Personality: Is a Caring mother, Enjoys reading classical literature, 
Interests: History, literature, culture, cheese boards, Arts and Crafts, Cinematography  

Name: Abigail Fairburn
Age: 17
Sex: Female
Occupation: Student 
Location: York
Class: Lower
Personality: Friendly and out going in nature, loves cappuccino’s and shopping at vintage shops.
Interests: Arts and Crafts, Fine Art, Music, Arctic Monkeys, Films  

TASK 3


In the above poster it cleary shows atributes of the modernist style, with its use of grid to give order to the type making the poster 

legible. The poster also uses a san serif type, and use of colours . A key feture of this poster that makes it obvious that it is modernism is the use of shapes to represent image. The use of shapes to represent images is metonymy as it is for represenational purpose only. 

Hyperbole is used in the poster above because the red is used as exaggeration to reprsent blood or missing fingers. This poster also personifies shapes to represent human features and characteristics to communicate its message of not petting pitbulls.


The poster above uses personification of shape to represent humans features such as hands, heads and eye balls, through this use of personification of shape the poster is created in a moderist style of design.

In the above poster it uses key techniques that swiss movemism used to create it highly successful style. The desgin is successful as the information is clear to read and can be read in a logical order, but also adds interest by changing the direction of the grid used. 
Antithesis is used in this image to contrasting the colours blue and white as well as the shapes htat contrast with the typography.




Saturday, 12 November 2016

change of question

i have decided to change my essay question from is modernism time bound, to "What are the influences of modernism in graphic design today?". I decided to change to this question as it is more relevant to my practice of graphic design. Although the question is modernism time bound would allow me to research deep into modernism and its effects on design today so that i could answer the question, the relevance to graphic design was not as obvious. 

Although i have changed my question my essay plan and the research i have done are still relevant and will be used when writing my essay.

Tuesday, 8 November 2016

essay research

How did postmodernism influence modern day graphic design?
how postmodernism affected society?




defining a brief (sheet one of seven design sheets)

minimalism / form follows function and its effects on graphic design

what effects did minimalism have on product design?
What effects did postmodernism have on todays graphic design?
What effects did modernism have of the modern day graphic design?
how did modernism influence the design of today?

Pastiche




how did modernism influence the design of today?




Almost anything that you see in the world that you consider to have that classically modern look – whether architecture, graphic design, fashion; even websites, apps and digital media – almost certainly had its roots in these small art schools in Dessau and Berlin

The Bauhaus sought to combine art, craft, and technology to reach a common goal and a common vision of a purer form of design without unnecessary decoration

It was a collection of ideas, mainly from the Russian and Swiss schools of the time.

Their work helped put down the foundations for the modern grid system and create rhythm throughout design, a rhythm that’s still being tapped out on designers’ desks the world over.

Wassily Kandinsky and Paul Klee went on to be regarded as two of the most important artists of the 20th Century, and their draftwork laid the foundation for much of modern Graphic Design theory






Many modern designers insisted that they followed no "style." And indeed modernism was more than a style, it was a new worldview, conditioned by new perceptions of time and space.

these are the hallmarks of modern design: an interest in exploring new materials, a rejection of historical precedents, and a simplification of forms by a reduction of ornament.

Our word modern comes from the Latin modernus, which meant "just now




ikea

















how did modernism art and design respond to modernity?

-       Bauhous – main start for responces

Has modernism really ended?