The
topic of my dissertation was successes of graphic design, the question I answered
was 'Is typography essential or fundamental to the success of graphic design?'
My conclusion for this was that "typography is not the only form of
communication within graphic design it is mostly fundamental to its success
when used appropriately. The only exception for the fundamental use of
typography is in logos that use semiotics to convey typography without the
actual use of type." For the dissertation I researched different aspects
that are used in graphic design such as typography and its use of, Illustration, symbols, Semiotics, Colour, shape, layout and Grids and my
research found that when used correctly they make for a successful design. This
was backed up by the primary research from interviews by professionals, as they were selective with what they used in a design and made use it was appropriate. What lead me to my conclusion were that all the design they mentioned used typography, but it was not as essential to the design as other aspects, but because it was a common theme I found it to be fundamental to the designs communication.
From this conclusion I decided to look at how typography is used in film posters as I wanted to see how type can communicate more than a title but also something about the film and become the key fundamental part of the posters communication not the eye catching images. From looking at a range of film posters and different styles I found that most film posters have interesting and appropriate typography that communicates the films topic/theme, but the image seemed to over power the typography leaving it some what redundant. This made me think about how I could make a film poster that was still as engaging but with the use of typography as its fundamental source of communication. With further research I decided that Swiss style would help create a balance between typography and image without the image being the main focus. From my poster designs I took the current typography from existing film posters and designed an swiss style poster around the typography. The typography from other posters was my starting point and was something that I didn't change as I wanted to show that it would still communicate just as much without a lot of imagery. This links to my dissertation as I wanted to show that typography when used correctly and appropriately can be the key to a designs success.
From this conclusion I decided to look at how typography is used in film posters as I wanted to see how type can communicate more than a title but also something about the film and become the key fundamental part of the posters communication not the eye catching images. From looking at a range of film posters and different styles I found that most film posters have interesting and appropriate typography that communicates the films topic/theme, but the image seemed to over power the typography leaving it some what redundant. This made me think about how I could make a film poster that was still as engaging but with the use of typography as its fundamental source of communication. With further research I decided that Swiss style would help create a balance between typography and image without the image being the main focus. From my poster designs I took the current typography from existing film posters and designed an swiss style poster around the typography. The typography from other posters was my starting point and was something that I didn't change as I wanted to show that it would still communicate just as much without a lot of imagery. This links to my dissertation as I wanted to show that typography when used correctly and appropriately can be the key to a designs success.
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